Andrés Pereira Paz

Andrés Pereira Paz, 1986 La Paz, Bolivia, lives and works in México City.

Studied at the ‘’Academia Nacional de Bellas Artes Hernando Siles’’ and at the workshops of Diana Aisenberg and Roberto Valcárcel in his native La Paz, Bolivia and Buenos Aires.

Recent exhibitions include: ‘’Odisea Escandón’’ at Guadalajara90210 gallery, Mexico City (2024) “Talismania”, Proyectos Monclova Gallery, Ciudad de México (2024); “Querida Marge”, Kiosko Galería, Santa Cruz de la Sierra (2024); “Este lugar”at 80m2 Livia Benavides Gallery, Lima (2023), ‘’La siesta de los grandes temas’’ at Guadalajara90210 gallery, Mexico City (2023); ‘’A 18 minutos del Sol’’ at the Buenos Aires Museum of Modern Art (2023); ‘’Paisajes Espectrales at MAAT Gallery (2023); Paris, ‘’Who tells a tail adds a tale’’ at the Denver Art Museum (2022); ‘’Future Generation Art Prize’’ in Kiev (2021); Art Basel Statements, Basel (2021); Brunand Brunand Gallery, Berlin (2021); the 11th Berlin Biennale at the Martin Gropius Museum, Berlin(2020); Künstlerhaus Bethanien, Berlin (2020); Latvian Centre for Contemporary Art, Riga (2019); Kinderhook & Caracas, Berlín (2019);The Ryder Projects, London (2018), Kiosko Galería, Santa Cruz de la Sierra; Crisis Galería, Lima (2018); Gasworks Open Studios,London (2017); National Museum of Art, La Paz; Second Grand Tropical Biennale, San Juan de Puerto Rico, among others.

He completed residencies at Gasworks in London, England (2017); Hawapi in Tacna, Peru (2017); Kiosko in Santa Cruz de la Sierra (2018); Künstlerhaus Bethanien in Berlin (2019-2020); Fundación Amalia Amoedo in José Ignacio, Uruguay (2024), among others.

Recent publications include “Prime: Arts next generation” by Phaidon Press (2022); “300 Latin American Artists from 1785 to now” by Phaidon Press (2023), among others.

His works are included in public collections such as Perez Art Museum, Miami; MCA (Museum of Contemporary Art Chicago); Denver Art Museum; KADIST San Francisco and Instituto Alumnos, México; KFW Stiftung, Frankfurt, among others.

Image courtesy of Fundación Ama Amoedo